Rogue One – the Scarif Problem
This isn’t a review of the entire film. There are plenty of those around, written by better critics than I. All I’ll say is this: I enjoyed Rogue One. It was a flawed, but welcome addition to the franchise. …
This isn’t a review of the entire film. There are plenty of those around, written by better critics than I. All I’ll say is this: I enjoyed Rogue One. It was a flawed, but welcome addition to the franchise. …
Read about 45 this year, plus shitloads of academic articles, and watched an abundance of film and television. I’ll stick to books here, other than to say that, for mine, The Expanse was the best TV of 2016.
In no …
I cannot stop watching this. I just can’t stop.
And the 80s, apparently, was the primo decade for movies. In twelve moves you can go from Empire Strikes Back, to Aliens, to Predator, Die Hard, Lethal Weapon, Mad Max 2, …
Writing about other cultures is bloody difficult. It’s also important, and speculative fiction writers in particular should always be thinking about different realities. But it is not something to be taken lightly.
I don’t want to talk about Lionel Shriver. …
Facebook told me the other day that It’d been three years since I’d sold my first short story. So, aside from the general unease that comes from knowing how much personal information I’ve willingly – and unwillingly – given to …
Coming up for air after Conflux (the Canberra SF Writer’s Convention), I looked back on the first article I wrote on Conflux and Cons in general a couple of years back. Things have come along quite a bit for me …
A few years back when I’d first arrived in Vietnam, and was still very new to writing, I produced The Four Deaths of Taylor Ngo. Set in a jazz bar in Ha Noi (and, yes, based on a real …
I was recently interviewed by David McDonald for the 2016 Aussie Speculative Fiction Snapshot.
Undertaken every two to three years, the Snapshot is an informal census of the local genre scene. A tonne of cool authors and editors are …
The US culture industry wants the Chinese market. The only way is through the Chinese government, which restricts the number of foreign films allowed in the country each year – thirty-four only. To get one of those precious slots, Hollywood …